Projects

Environmental Artist, Zen Teh:
Exploring Creative Processes and Pedagogical Possibilities

Period: May 2021

Details: This critical dialogue examines the creative processes of Zen Teh, a Singapore environmental artist, focusing on her personal experiences and observations leading to a collaborative mode of inquiry to create immersive artistic works to raise awareness towards environmental issues. The dialogue stems from an ongoing research project (RI 4/19 LCH) funded by the National Institute of Education (Singapore) Academic Research Fund: Self and Society in Singapore Contemporary Art: An Intersectional Exploration of Identity Politics Among Emerging Singaporean Artists



Self and Society in Singapore Contemporary Art:
An Intersectional Exploration of Identity Politics Among Singaporean Artists

Environmental Artist, Zen Teh: Exploring Creative Processes and Pedagogical Possibilities

Period:  September 2020 - September 2022

Details: The aim of this study is to examine how Singaporean artists construct, negotiate and perform their personal and artistic identities in relation to and in context of the dominant narratives about national identity generated by the State as well as the wider socioeconomic and political context affecting the art ecosystem in Singapore. We will examine artists’ excavations of forsaken histories, their formulation of alternative narratives and the tenuous equilibrium between subversion and submission as agents inscribed in a globalized field of practice that is rife with the pressures of market capitalism, identity discourses and power dynamics.

Principal Investigator: Dr Lum Chee Hoo
Co-Principal Investigator: Twardzik Ching Chor Leng
Research Assistant: Juliette Yu-Ming Lizeray


The Meaning of Arts in Children's Lives: A Singaporean Perspective

Details: 

This study aims to explore the concept of music amongst Singapore children in the primary education levels. Children will be asked to draw and/or write about their concepts of music and the meaning of music in their lives. The collated drawings/writings will then be content analyzed to explore emerging themes and concepts. The study is particularly relevant in gaining insight into one of the six main learning objectives for primary school children in the current Singapore music education syllabus: “understand the role of music in daily living” (Ministry of Education, p.2). Clearly, it is by understanding what children really think about music that teachers can build on their understanding of music’s role in children’s daily lives.

Please visit the project website at http://singaporechildrenandthearts.wordpress.com/

Principal Investigator: Lum Chee Hoo 
Research Assistant: Pau Xi Ling


Evaluative Study of an Art-and-Play Based Bridging Programme

Period: September 2010 - November 2010

Details: An exploratory study investigating the effects of an 8-week art-and-play-based bridging programme on children's involvement and identifying the facilitative processes for learning used by the program coordinators and volunteers

Images of Practice

Details: 

This research project is an in-depth qualitative study that aims to add to nascent local research literature investigating the nature of arts teaching in schools. Through 18 case studies of community nominated 'outstanding' arts educators in dance, drama, music, and visual arts, the study will examine how these arts educators define teaching in the arts and how they actually teach and engage students in the various arts disciplines.

This is a collaborative project between NIE, the Ministry of Education's Co-Curricular Activities Branch (CCAB) and the National Arts Council (NAC).

Rather than highlighting ‘best practices’, the findings below seek to provide an authentic view of teaching moments. In each tab, you will find videos of teaching, lesson plans, practitioners’ reflections and narratives, student work, and material artifacts of teaching and learning. We hope that this page will become a resource for teacher professional development hence we invite all educators to view this gallery.

In this documentation project, informed consent was obtained from participating teachers and parents; assent was also obtained from the students. We are grateful to all these teachers, principals, students, and families for making this project possible.

Funders: This project is made possible by a generous grant from the National Institute of Education, Office of Educational Research (OER 7/10 LCH – Images of Practice in Arts Education in Singapore) & a National Arts Council (Singapore) grant

Principal Investigator: Lum Chee Hoo
Co Principal Investigators: Prudence Wales, Sirene Lim May Yin, Pamela Onishi Costes, Cecily Charlotte Cheo, Eric Peter Stead, Goh-Leung Lai Keun, Susie Lingham
Research Assistants: Tai Shuxia, Donn Gonda, Ysa Marie Cayabyab, Lu Shanhwa, Clarence Tan, Tai Shixiong, Pau Xi Ling

Schools

1st Toa Payoh Primary School
Ai Tong Primary School
Ang Mo Kio Secondary School
Assumption Pathway School
Cedar Primary School
CHIJ Katong Convent
Elias Park Primary School
Eton House Pre-School (Vanda Road)
Mayflower Primary School
Montfort Junior School
Nanyang Girls High School
National Institute of Education
North Vista Primary School
Pasir Ris Secondary School
Paya Lebar Methodist Girl’s School
Queenstown Primary School
Singapore American School
St. Anthony’s Canossian Primary School
St. Hilda’s Primary School
Tampines North Primary School
Tampines Primary School
West Spring Secondary School
Yishun Primary School
Yishun Secondary School

Other Participants

Senior Participants from Jurong Spring Community Club and Youth Volunteers from Singapore Polytechnic


Community Drumming Network

Period: January 2012 - October 2012

Details: This study sought to gain insights into the social impact of community drumming networks that are held in the community centres around the island, and to understand the mechanisms of it in order to advocate and support art interest groups in Singapore. The research is a partnership with and co-funded by the National Arts Council. 

Principal Investigator : Pamela Constes-Onishi
Research Assistant: Tam Peck Hoon 


Practices, Perceptions, and Needs of Primary School Generalist Art & Music Teachers in Singapore

Period: January 2013 - August 2014

 

Details: The goal of this study is to investigates the changes and differences in pedagogical practices, perceptions, and needs of generalist music and art primary school teachers after a specialist professional development. The research looks at the differences between generalists and generalists turned specialists music and art teachers who are undertaking an advance diploma course at NIE in order to identify the various factors which influence classroom practices.

Principal Investigator: Pamela Costes-Onishi
Co- Principal Investigator: Imelda Caleon, Lum Chee Hoo and Kehk Bee Lian
Research Assistant: Clarence Tan


Implementing the 3Ps Professional Development Framework in the Design of a New Professional Development Curriculum

Period: June 2014 - December 2015

 

Details: As part of strategic directions in professionalizing the fraternity and developing the 21st century music educator and its identity, "Singapore Teachers Academy for the aRts" (STAR) is developing a unique curriculum "Teaching Living Legends" for the professional development (PD) of music teachers. The curriculum aims to develop an understanding of the local living music traditions an d how these could be taught in the 21st century general music classroom. It is built on the 3Ps (Practice, Pedagogy, Perspective) PD framework which STAR has developed to guide the design of PD programs. "Teaching Living Legends" will be implemented through a milestone program for in-service Music teachers.

Music teachers have given feedback that they need training in different music traditions. Based on interactions with music teachers, STAR observed that many music teachers in Singapore seem to have: a) little understanding of the diverse music traditions in Singapore; and, b) how these musics could be taught in the 21st century general music classroom. As there are many music traditions in Singapore, and teachers have limited time to acquire these diverse knowledge and skills, STAR seeks to address the challenge to efficiently and effectively develop music teachers' understanding of these music traditions through a workshop to a level that teachers are confident of their abilities to teach these with appropriate pedagogies. STAR believes that the 3Ps framework provides a way forward in designing resources and curriculum that will provide teachers with the tools and some confidence to teach local music traditions in their classes.
This study is a 'proof of concept' development project which seeks to examine how the STAR's 3Ps framework could be applied in the design of the curriculum and how each 'P' weighs in to increase teachers' confidence and competence in teaching local music traditions in the general music classroom.

Related Website: http://www.star.moe.edu.sg/star-professional-development-programmes/music-programmes/milestone-programmes/teaching-living-legends

Principal Investigator: Dr Lum Chee Hoo
Co-Principal Investigator: Dr Pamela Costes-Onishi
Research Assistant: Lu Shanhwa, Tai Shuxia


Investigating BOTH SIDES, NOW

Period: September 2014 - September 2016

 

Details: This study aims to track and examine the development and implementation of a multi-disciplinary immersive arts experience, BOTH SIDES, NOW, which explores end-of-life issues. BOTH SIDES, NOW is a community arts project that encourages its audiences to move away from perceiving death and dying as taboo subjects and to engage in authentic and important discussions about ‘what it means to live well, and to leave well’. It aims to embolden healthcare workers, caregivers and members of the general public to explore end-of-life issues and engage in conversations about living and dying. By fostering these types of conversations, the creative team of BOTH SIDES, NOW hopes to cultivate a greater awareness of the things people value in life, how they want to live and the end-of-life decisions they might want to make. BOTH SIDES, NOW invites its audiences to share their thoughts, feelings, ideas and stories on living and dying, and to consider what they want for themselves and those they love. This research project aims to investigate the ways the arts event BOTH SIDES, NOW has been perceived by, and impacted stakeholders and audiences, and identify ways in which communities have responded to the work. It seeks to identify what can be learned from immersive arts experiences like this, and identify elements of the work that engage communities. In addition, the study proposes to examine the research and creative processes of the creative team in the development of the work.

Researchers: Prue Wales (NIE) and Charlene Rajendran (NIE)


Artists-In-School-Scheme (AISS) for Pre-Schools

Period: February 2015 - September 2016

 

Details: The Artists-In-School-Scheme (AISS) for Pre-Schools which is a “ collaboration between NAC and the Early Childhood Development Agency (ECDA) to enable pre-schoolers to gain access to quality and sustained arts programmes specifically designed by arts practitioners” (National Arts Council, 2014) serves as a gateway to beginning research on teacher-artists partnerships in the pre-school sector in Singapore. As stated in the aims and objectives of the AISS, through interactive lessons, “children will broaden their learning perspectives through spontaneous exploration and expression. In addition, early childhood educators can also receive specialized training workshops by arts practitioners, as part of this programme. This will enable them to co-design and co-deliver the arts programme with the artist. These knowledge and skills can subsequently be integrated into the centres’ curriculum.“ (National Arts Council, 2014). The purpose of this research study is thus to examine the Artists-in-Schools-Scheme (AISS) for Pre-School in terms of the partnership process, student learning processes and teacher professional development.

Principal Investigator: Dr Lum Chee Hoo
Co-Principal Investigator: Dr Prudence Wales
Research Assistant: Lu Shanhwa, Natalie Tse


Artists-In-School-Scheme (AISS) for Pre-Schools

Period:  February 2015 - September 2016

 

Details:  The Artists-In-School-Scheme (AISS) for Pre-Schools which is a
“ collaboration between NAC and the Early Childhood Development Agency (ECDA) to enable pre-schoolers to gain access to quality and sustained arts programmes specifically designed by arts practitioners” (National Arts Council, 2014) serves as a gateway to beginning research on teacher-artists partnerships in the pre-school sector in Singapore. As stated in the aims and objectives of the AISS, through interactive lessons, “children will broaden their learning perspectives through spontaneous exploration and expression. In addition, early childhood educators can also receive specialized training workshops by arts practitioners, as part of this programme. This will enable them to co-design and co-deliver the arts programme with the artist. These knowledge and skills can subsequently be integrated into the centres’ curriculum.“ (National Arts Council, 2014). The purpose of this research study is thus to examine the Artists-in-Schools-Scheme (AISS) for Pre-School in terms of the partnership process, student learning processes and teacher professional development.

Principal Investigator: Dr Lum Chee Hoo
Co-Principal Investigator: Dr Prudence Wales
Research Assistant: Lu Shanhwa, Natalie Tse


Contemporary identity of Singapore musicians: interpretations and translations within historical, social, cultural and musical contexts

Period: June 2016 - December 2017

Details: At once a historic point of confluence between immigrant, diasporic and autochtonous communities and a globalized interconnected hub, contemporary Singapore presents a rich and unique musical scene which hasn’t often been studied. More akin to a constellation of distinct yet interconnected and inderdependent actors, the music scene is a fascinating point of departure to understand contemporary Singaporean society.

This multi-disciplinary research project aims to examine the contemporary identities of local musicians by exploring how they translate their own complex identities and worldviews into their music-making as well as how they interpret, negotiate and construct notions of community, culture, tradition and collaborative creativity.

The research focuses on a wide range of bands comprising the younger generation of Singaporean musicians.

The documentary "Sounds of Singapore" was created as a result of the study, bringing us closer to the musical lives of four specific musical groups (SA, NADI Singapura, Flame of the Forest and Kulcha):

Sounds of Singapore from CARE on Vimeo.

For detailed reading about the findings of the study, please refer to:

Lizeray, J. Y.-M., & Lum, C.H. (2019). Semionauts of tradition: Music, culture and identity in contemporary Singapore. Singapore: Springer.

https://www.springer.com/us/book/9789811310102

Background photo: Nadi Singapura rehearsing for Journey 2 The Pulse (J2TP), November 2016.

Principal Investigator: Dr Lum Chee Hoo
Research Assistant: Juliette Yu-Ming Lizeray


Rethinking Multiculturalism in Singapore through the Lens of Intercultural Theatre

Period:  June 2018 - November 2019

Details: 
This project is a timely contribution to our understanding of Singapore’s experience of multiculturalism through the voices of theatre, which, in Singapore, are at the forefront of rethinking and reinventing frameworks of cultural identity and social cohesion beyond reductive and normative assumptions about race, ethnicity and cultural difference. As the stage is a potent site for rethinking problems and addressing social concerns, theatre has been an important space for expression and investigation about how to negotiate conflict, as well as present viable alternatives that pre-sent more positive, productive and purposeful options. The research will highlight both the realities and potentialities of our intercultural everyday life in Singapore by looking at how these theatre practitioners have navigated these issues in their own lives, as well as in the performances they have created for the wider public. This is geared towards a deeper understanding of culture and identity in spaces of complex difference, which would stand to benefit the nation and the rest of the world. Moreover, the research will also show the importance of arts leadership in interpreting and responding to social realities as we move into the future.

 

Principal Investigators: A/P Lum Chee Hoo, Asst/P Charlene Rajendran
Research Assistant: Juliette Yu-Ming Lizeray