2018
| Faculty Name | Title |
|---|---|
Andrea Nanetti | At the origins of the Venetian Sea State. Coron and Modon, 1204-1209 |
Andrea Nanetti | Computational History: From Big (Multilingual) Data to Big (Transcultural) Simulations. Fifteenth-century world maps and chronicles as a showcase in Analytical methods and information technologies in historical research: from digitized data to knowledge increment. Proceedings of the international conference |
Andrea Nanetti | Computational History: From Big Data to Big Simulations in Big Data in Computational Social Science and Humanities pp. 337-363 (27 pp.) |
Andrea Nanetti | Transcultural Endeavours as an Imperative of Research Internationalisation for Twenty-First Century Universities, Programmi multidisciplinari per l’internazionalizzazione della ricercar. Patrimonio culturale, Architettura e Paesaggi Conference |
Ben Alvin Shedd | Enhancing The Experience of The Western Xia Imperial Tombs Heritage Site (PRC, Ningxia) through Animated Installations |
Benjamin Seide | Layers of meaning: Exploring artistic impressions and imperfect realism in virtual reality |
Benjamin Seide | The Scale of Immersion: Different audio-visual experiences exemplified by the 360° video Secret Detours |
Biju Dhanapalan | Has Bollywood Become “Death-Denying”?: Cinematic Deaths of Terminally-ill Protagonists in Hindi Films before and after Liberalisation in India |
Biju Dhanapalan | Engaging Faces: The Persistence of Traditional Portrait Painting Practices in a “Post-digital” Age |
Danne Ojeda | One and Three Books Unfolded |
Danne Ojeda | Paper Brains. A ‘book page’ in the exhibition space |
Danne Ojeda | Anthology Who’s Who in Visual Art. 100 Artisans, Craftspeople & Designers. Vol. 2018–2019. |
Danne Ojeda | Vanitas paper prototype’ appeared in the front cover of the journal / This is a different work from the final Vanitas |
Davide Benvenuti | MNPR: A Framework for Real-Time Expressive Non-Photorealistic Rendering of 3D Computer Graphics |
Elke Reinhuber | Architectural representations in media art as form of preserving sites of cultural relevance – exemplified with Venomenon |
Galina Mihaleva | Sense; coral reef inspired and responsive dress |
Galina Mihaleva | Toward Grow able Robot: Exploring and integrating Flexible –Biological Matter with Electronics |
Gray Hodgkinson | Story telling in animated VR – guiding the user through a multi-scene narrative |
Hans-Martin Rall | New Beginnings and Continued Traditions: Redefining Animated Storytelling for New Technologies? |
Hans-Martin Rall | Little Red Bard: Shakespeare in the Realm of Animated Documentary |
Jennifer Burris | To Be Known As Infinite: Maria Jose Arjona |
Jesse Thompson | Spectrum: Years Best in Fantastic Art 25 |
Kristy Kang | FemTechSonic: Playlists of Global Collaboration + Connected Learning |
Lisa Winstanley | The British Football Academy: A Design Thinking Approach to Branding Strategy |
Louis-Philippe Demers | Contribution - Area V5 in "See Yourself X : Human Futures Expanded" |
Louis-Philippe Demers | HEAT: The Harmony Exoskeleton Self - Assessment Test |
Michael Tan | GeoHumanitites and Health |
Michael Tan | Towards a caring practice: reflections on the processes and components of arts-health practice |
Michael Walsh | Eric Bogle, No Man’s Land, and the Grave of Willie McBride at the Somme |
Michael Walsh | The Show Must Go On’: Bernie Tormé, Randy Rhoads and Ten Days in 1982. |
Michael Walsh | The Politics of Popular Culture in Britain and its Empire since the Great War |
Ng Woon Lam | Practical application of browns and grays based on a vector concept—The practical strength the asymmetrical Munsell color space |
Oh Soon-Hwa | Quiet Dream |
Peer M Sathikh | Approaches to Teaching Product Design to Engineering Students |
Yin Ker | Where Do We Come From? What Are We? Where Are We Going? Premises for Burmese Contemporary Art with Po Po, Tun Win Aung, Wah Nu and Min Thein Sung |