/enri-thumbnails/careeropportunities1f0caf1c-a12d-479c-be7c-3c04e085c617.tmb-mega-menu.jpg?Culture=en&sfvrsn=d7261e3b_1)
/cradle-thumbnails/research-capabilities1516d0ba63aa44f0b4ee77a8c05263b2.tmb-mega-menu.jpg?Culture=en&sfvrsn=1bc94f8_1)
7e6fdc03-9018-4d08-9a98-8a21acbc37ba.tmb-mega-menu.jpg?Culture=en&sfvrsn=7deaf618_1)
Congratulations to ADM Alumni Sarah Choo Jing (Class of 2013) for winning the 2021 Lumen Prize 3D/Interactive Award!!
Congratulations to ADM Alumni Sarah Choo Jing (Class of 2013) for winning the 2021 Lumen Prize 3D/Interactive Award!! The Lumen Prize celebrates the very best art created with technology through a global competition. Sarah's win is well deserved and we are truly proud of her thoughtful and meaningful works.
See the full video at https://tinyurl.com/sarahchoojing.
Reposted @lumen_prize 𝘡𝘰𝘰𝘮, 𝘊𝘭𝘪𝘤𝘬, 𝘞𝘢𝘭𝘵𝘻 - Sarah Choo Jing
2021 Lumen Prize 3D/Interactive Award 🏆
Zoom, click, waltz is a multimedia installation comprising 13 LED screens depicting individuals in various states of “performance”, while isolated within separate window frames.
What began as an attempt to communicate with neighbours during Circuit Break, developed into an imagined possibility of individuals connecting through dance.
Over a period of 2 months, residents received mailed instruction requests to perform at an interval spanning 30 minutes. These recordings were at times effective, others, futile. Various subjects’ responses range from active to passive; with individuals participating in modes of conscious performance, and others nonchalant, in contemplation.
Juxtaposed and interspersed alongside staged, found and borrowed media, separate footages are stitched together to form an uncanny, seamless reality situated in the inter-spaces between interpretation and negotiation, truth and fiction, performativity and chance.
See the full video at https://tinyurl.com/sarahchoojing.
Reposted @lumen_prize 𝘡𝘰𝘰𝘮, 𝘊𝘭𝘪𝘤𝘬, 𝘞𝘢𝘭𝘵𝘻 - Sarah Choo Jing
2021 Lumen Prize 3D/Interactive Award 🏆
Zoom, click, waltz is a multimedia installation comprising 13 LED screens depicting individuals in various states of “performance”, while isolated within separate window frames.
What began as an attempt to communicate with neighbours during Circuit Break, developed into an imagined possibility of individuals connecting through dance.
Over a period of 2 months, residents received mailed instruction requests to perform at an interval spanning 30 minutes. These recordings were at times effective, others, futile. Various subjects’ responses range from active to passive; with individuals participating in modes of conscious performance, and others nonchalant, in contemplation.
Juxtaposed and interspersed alongside staged, found and borrowed media, separate footages are stitched together to form an uncanny, seamless reality situated in the inter-spaces between interpretation and negotiation, truth and fiction, performativity and chance.